Celeste in Spring

Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.

Three

Amelia Sears explains how she captured the difficulty of redefining your sense of self and relationship with your partner in the destabilising wake of becoming a mother for the first time.

Anu

Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.

You Say Hello

Lovell Holder opens up about why moving to a non-linear structure during post production yielded a more compelling version of his queer drama about a young man on the brink.