My Eyes Are Up Here

Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his morning after pill budding romance short.

Home

Luke Brookner delves into using 16mm and 35mm to represent the dual timelines of his film depicting the reverberating struggle of leaving behind an upbringing in foster care.

A Brush with Comedy

Louis Moir talks through the practical challenges of expanding his grad short into a debut feature documentary exploring the creative process on stage and on canvas.

Held

We speak to Toby Wharton about the invisible camera work he employed to truly capture the raw emotions in his perturbing exploration of victimhood.

Exiles

Tomas Kamphuis recounts the physical and technical challenges of shooting in remote parts of Portugal in blistering heat for his ambitious Hamcus & Adidas sci-fi fashion crossover short.